La Bayadère – Ny matoatoa va no Solo Telo (Nentim-paharazana vs tarehimarika)

DarkDancer06 Published on May 26, 2015
Indro ny fampitahana nijery ny telo Solo matoatoa va no avy amin'ny Fanjakana ny matoatoa va toerana ny fahatelo asa “La Bayadère” – the traditional variations performed by Elizaveta Cheprasova, Yana Selina sy Daria Vasnetsova sy ny notated fiovana ataon'ny leta Biasucci, Angelica Generosa sy Carli Samuelson.

For those of who saw Sergei Vikharev’s 2001 fanorenana indray ny “La Bayadère”, you’ll probably notice that the notated variations were not the ones performed in that reconstruction. Ny antony dia satria tsy sehatra Vikharev 100% ny fananganana ny “La Bayadère” na “The matory Beauty” – he retained many of the Soviet changes in both productions, indrindra fa amin'ny “La Bayadère”. Ny fanjakan'ny matoatoa va no sehatra dia ilay dikan-Sovietika, not Petipa’s version.

toa, ny tena antony Vikharev nihazona ny Sovietika maro fiovana na dia noho ny fananganana ny Mariinsky mpandihy sy ny mpanazatra rehetra tena tsy te sasany kosa nomba ny Sovietika choreography, so the ballerinas announced “all the same, we’re going to dance what we’re used to!” In the end, poor Vikharev retained many of the Soviet changes because he very likely would’ve got nothing, but grief if he hadn’t; ny fanjakan'ny ny matoatoa va no toe-javatra voalohany dia ohatra izay ny notated choreography dia tsy mamerina. I feel so sorry for him – to do all that hard work and then have people just throw it back in your face like that; it’s so awful.

Na izany na tsy, the performances of the notated variations for the Three Shades is from one of Doug Fullington’s brilliant lectures held in New York, in izay naoriny indray sary sy ny dihy andalan-teny avy amin'ny “Le Corsaire”, “mpanjaka Candaules” ary “La Bayadère”.

*Ireo lafiny telo
The notated variations for the Three Shades are not the ones that would’ve been danced in the original 1877 Malagasy Bible, fa kosa ireo ny ballerinas izay nandihy azy tany an- 1900 fifohazana sy ireo ballerinas dia Varvara Rykhliakova, Agrippine Vaganova sy Anna Pavlova. Tsy Mahaliana tokoa ny fomba ny fiovana dia na niova na tena mitovy nitoetra nandritra ny taona maro.

1. Varvara Rykhliakova – ny fiovaovana efa mihoatra na latsaka niova ny 50% nandritra ny taona maro; Izany no faharoa niova indrindra ny telo fiovana.

2. Agrippina Vaganova – her variation is the one that has changed far less over the years. This obviously must’ve been one of Vaganova’s favourite variations, Ary toy izany koa, she didn’t change it very much. Mahaliana, Petipa didn’t like Vaganova as a dancer; isaky dia milaza ny fampisehoana ny Diaries, he always calls them “awful” or “dreadful”. toa, Vaganova Tsy teraka miaraka amin'ny talenta voajanahary sy ny tena izy tena mitsikera, fa dia toy izany koa, the St Petersburg balletomanes and critics called her the “Queen of Variations”. Araka ny Doug Nanipika amin'ny lahateny ity, her variation indicates that she must’ve been quite a jumper.

3. Anna Pavlova – her variation is the one that has changed the most over time, miaraka amin'ny fahasamihafana mazava indrindra ny maha fa ny fiovaovana haingana be teo am-boalohany noho ny amin'izao anio izao. Pavlova was one of Petipa’s favourite ballerinas and interestingly, izany no anjara asan'ny Nikiya izay nitifitra azy ho laza. Petipa nomeny azy ny anjara asany eo amin'ny 1902, be ny fampitahorana ny Mathilde Kschessinskaya, who was not the type who liked to be upstaged in what she considered to be “her” roles. Na dia izany aza, dia nanaiky ny Mpanazatra Pavlova ao amin'ny anjara asan'ny, voalohany indrindra satria izy no tsy afaka mandihy satria bevohoka izy tamin'ny fotoana. Nihevitra Kschessinskaya Pavlova ho malemy ara-teknika noho ny osa sy ny sary kely kitrokeliko, ary dia antoka fa ny tanora dia tsy ho mpandihy Nikiya, Voaporofo fa tena izy diso. Pavlova Petipa nanome ny zavatra rehetra izay efa naniry tao Nikiya sy ny osa ara-batana fijery hita hiasa ho an'ny anjara, indrindra ao amin'ny fanjakan'ny Ny matoatoa va no sehatra. Ny mpanatrika raiki-pitia amin'ny Modèle Pavlova ary dia toy izany no, ny kintana teraka. Nikiya no andraikitra farany izay Pavlova nandihy tamin'ny Imperial Ballet amin'ny 1914.