La Bayadère – The Three Solo midabo (Dhaqanka vs Qaabka jibbaarada asalka)

DarkDancer06 Published on May 26, 2015
Halkan waxaa ku daawan isbarbaryaal ee Solo Saddex hooska ka boqortooyada goobta midabo ee falka saddexaad ee “La Bayadère” – the traditional variations performed by Elizaveta Cheprasova, Yana Selina iyo Daria Vasnetsova iyo kala duwanaanta notated sameeyaa by Leta Biasucci, Angelica Generosa iyo Carli Samuelson.

For those of who saw Sergei Vikharev’s 2001 dib u dhiska “La Bayadère”, you’ll probably notice that the notated variations were not the ones performed in that reconstruction. Tani waa sababta oo Vikharev ma martigelin 100% reconstructions ah “La Bayadère” ama “Beauty The Hurdada” – he retained many of the Soviet changes in both productions, gaar ahaan “La Bayadère”. Boqortooyada goobta midabo uu isticmaali jiray version Soviet, not Petipa’s version.

Sida muuqata, Sababta ugu weyn ee Vikharev ceshan badan oo ka mid ah isbedel Soviet in labada reconstructions ahaa maxaa yeelay, qoobka Mariinsky iyo tababarayaasha ku jiray oo dhan aad u diidan in ay qeyb xardheen ee Soviet, so the ballerinas announced “all the same, we’re going to dance what we’re used to!” In the end, poor Vikharev retained many of the Soviet changes because he very likely would’ve got nothing, but grief if he hadn’t; boqortooyada goobta midabo waa tusaale Ra'iisul meesha xardheen ka notated lama soo celiyo. I feel so sorry for him – to do all that hard work and then have people just throw it back in your face like that; it’s so awful.

Anyway, the performances of the notated variations for the Three Shades is from one of Doug Fullington’s brilliant lectures held in New York, taas oo uu ku Muuqaallo iyo meelihii qoob ka dib ka “Le Corsaire”, “King Candaules” iyo “La Bayadère”.

*The Three midabo
The notated variations for the Three Shades are not the ones that would’ve been danced in the original 1877 version, laakiin kuwa ballerinas iyaga cayaartay ee 1900 nooleynta iyo kuwa ballerinas ahaayeen Varvara Rykhliakova, Agrippina Vaganova iyo Anna Pavlova. Waxaa hubaal ah waa mid xiisa leh sida kala duwanaanta ayaa sidoo kale beddelay ama ku hadhay arrin la mid ah sanadihii la soo dhaafay.

1. Varvara Rykhliakova – iyada kala duwanaansho ayaa ka badan ama ka yar bedelay 50% sanadihii la soo dhaafay; waxaa labaad ugu beddelay oo ka mid ah saddex kala duwanaansho.

2. Agrippina Vaganova – her variation is the one that has changed far less over the years. This obviously must’ve been one of Vaganova’s favourite variations, sidaas sidaas daraaddeed, she didn’t change it very much. Waxa xiiso leh, Petipa didn’t like Vaganova as a dancer; mar kasta oo uu sheegaye qaab iyada qorada uu, he always calls them “awful” or “dreadful”. Sida muuqata, Vaganova lama dhashay tayo dabiici ah oo iyana waxay ahayd mid aad u muhiim ah is-, laakiin sidaas oo, the St Petersburg balletomanes and critics called her the “Queen of Variations”. Sida Doug tilmaamay in Muxaadaradan, her variation indicates that she must’ve been quite a jumper.

3. Anna Pavlova – her variation is the one that has changed the most over time, iyadoo farqiga ugu cad in ay iyada kala duwanaansho ahaa asal ahaan ka dhakhso badan tahay maanta. Pavlova was one of Petipa’s favourite ballerinas and interestingly, waxay ahayd doorka Nikiya in toogtay fame. Petipa siiyey doorka in 1902, wax badan in ay naxdin reer Mathilde Kschessinskaya, who was not the type who liked to be upstaged in what she considered to be “her” roles. Si kastaba ha ahaatee, ayay ku heshiiyeen in ay tababare Pavlova in doorka, ugu horayn maxaa yeelay, waxay ahayd awoodin in aad la dheesho tan iyo markii ay ahayd uurka leh waqti. Kschessinskaya tixgeliyo Pavlova in ay farsamo ahaan daciif ah sababta oo ah iyada image yar iyo weynba iyo Jiqilka tabar iyo qaar in qoob dhallinyarada baajin sida Nikiya ahaa, laakiin iyada waxaa la xaqiijiyay aad u qaldan. Pavlova siiyey Petipa wax kasta oo uu doonayay in Nikiya iyo iyada eegno jirka jilicdo cadeeyay inuu u shaqeeyo doorka, gaar ahaan boqortooyada goobta midabo ah. dhagaystayaasha jacayl isku dhaceen Pavlova ku ethereal iyo sidaas, Xiddig ayaa ku dhashay. Nikiya ahaa doorka ee la soo dhaafay in Pavlova cayaartay Ballet Imperial ee 1914.