DarkDancer06 may kuni chop etilgan 26, 2015
Bu erda uchinchi qilmish Shades sahnasida Qirolligi uch yakkaxon soyalar qiyosiy tomosha bo'ladi “La Bayadère” – the traditional variations performed by Elizaveta Cheprasova, Yana Selina va Darya Vasnetsova va Leta Biasucci tomonidan amalga notated tafovutlar, Anjelika Generosa va Karl Samuelson.
For those of who saw Sergei Vikharev’s 2001 rekonstruksiya “La Bayadère”, you’ll probably notice that the notated variations were not the ones performed in that reconstruction. Vikharev bosqichi qilmadi, chunki, bu 100% rekonstrüksiyonu “La Bayadère” yoki “Sleeping Beauty” – he retained many of the Soviet changes in both productions, ayniqsa, “La Bayadère”. U ishlatiladigan Shades sahnasida Shohligi Sovet versiya edi, not Petipa’s version.
shubhasiz, Mariinskiy raqqosalar va murabbiylar Sovet xoreografiya bilan ajralib barcha ko'p istamay, chunki Vikharev ikkala qayta Sovet o'zgarishlar ko'p saqlab asosiy sababi bo'ldi, so the ballerinas announced “all the same, we’re going to dance what we’re used to!” In the end, poor Vikharev retained many of the Soviet changes because he very likely would’ve got nothing, but grief if he hadn’t; Shades sahnasida Shohligi notated xoreografiya tiklandi emas edi qaerda bir bosh namunasidir. I feel so sorry for him – to do all that hard work and then have people just throw it back in your face like that; it’s so awful.
Nima bo'lganda ham, the performances of the notated variations for the Three Shades is from one of Doug Fullington’s brilliant lectures held in New York, unda sahnalari va raqs parchalar dan rekonstruksiya “Le Corsaire”, “King Candaules” va “La Bayadère”.
*Uch Shades
The notated variations for the Three Shades are not the ones that would’ve been danced in the original 1877 versiya, lekin ularni raqsga kim balerinlerinden o'sha yaxshiroq 1900 uyg'onish va o'sha Balerinler Varvara Rykhliakova edi, Agrippina Vaganova va Anna Pavlova. Bu, albatta, tafovutlar ham o'zgardi yoki yillar davomida juda o'xshash qolgan qanday qiziq.
1. Varvara Rykhliakova – uning o'zgarish ko'proq yoki kamroq tomonidan o'zgardi 50% yillar davomida; ikkinchi eng uch o'zgarishlar o'zgaradi.
2. Agrippina Vaganova – her variation is the one that has changed far less over the years. This obviously must’ve been one of Vaganova’s favourite variations, Bas, shuning uchun, she didn’t change it very much. Qizig'i, Petipa didn’t like Vaganova as a dancer; Har safar u o'z kundaliklarida uning chiqishlari haqida gapiradi, he always calls them “awful” or “dreadful”. shubhasiz, Vaganova tabiiy iste'dod bilan tug'iladilar va u juda tanqidiy bo'lmagan edi, lekin hatto shunday, the St Petersburg balletomanes and critics called her the “Queen of Variations”. Dag bu ma'ruzasida ta'kidlaganidek, deb, her variation indicates that she must’ve been quite a jumper.
3. Anna Pavlova – her variation is the one that has changed the most over time, eng ravshan farq uning o'zgarish, hozirgi nisbatan dastlab tezroq ekanligini bo'lish. Pavlova was one of Petipa’s favourite ballerinas and interestingly, u shuhrat uni otib Nikiya rolini edi. Petipa ro'li berdi 1902, Mathilde Kschessinskaya jiddiy qaramaydi uchun ko'p, who was not the type who liked to be upstaged in what she considered to be “her” roles. Shunday bo'lsa-da, u roli Pavlova murabbiyi rozi, birinchi navbatda, u vaqtda homilador edi, chunki u raqs olmadi, chunki. Kschessinskaya Pavlova, chunki uning nimjon tasvir va kichik to'piqdan texnik zaif hisoblanadi va yosh raqqosa Nikiya sifatida xilof qiluvchi, deb ma'lum bo'ldi, lekin u juda yomon isbot qilindi. Pavlova u Nikiya va uning nimjon jismoniy ko'rinish edi Petipa hamma narsani berdi roli uchun ishlashni isbotladi, ayniqsa, Shades sahnada Shohligida. Tomoshabinlar shunday Eter Pavlova va oshiq, yulduz tug'ilgan. Nikiya Pavlova Imperial balet bilan raqsga so'nggi rolini edi 1914.
Tanlanganlarga qo'shish
